{"id":984,"date":"2018-12-06T17:23:45","date_gmt":"2018-12-06T16:23:45","guid":{"rendered":"https:\/\/alemkorkut.com\/wp\/?page_id=984"},"modified":"2020-08-11T12:45:06","modified_gmt":"2020-08-11T10:45:06","slug":"alem-korkut","status":"publish","type":"page","link":"https:\/\/alemkorkut.com\/en\/","title":{"rendered":"Alem Korkut"},"content":{"rendered":"<style>.wp-block-kadence-advancedheading.kt-adv-heading_7630a8-c5, .wp-block-kadence-advancedheading.kt-adv-heading_7630a8-c5[data-kb-block=\"kb-adv-heading_7630a8-c5\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading_7630a8-c5 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading_7630a8-c5[data-kb-block=\"kb-adv-heading_7630a8-c5\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}<\/style>\n<h3 id=\"kt-adv-heading_7630a8-c5\" class=\"kt-adv-heading_7630a8-c5 wp-block-kadence-advancedheading\">Controlled coincidences<\/h3>\n\n\n<style>#kt-layout-id_7ce2b7-50 > .kt-row-column-wrap{align-content:start;}:where(#kt-layout-id_7ce2b7-50 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}#kt-layout-id_7ce2b7-50 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var( --global-kb-row-default-top, 25px );padding-bottom:var( --global-kb-row-default-bottom, 25px );padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:repeat(3, minmax(0, 1fr));}#kt-layout-id_7ce2b7-50 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){#kt-layout-id_7ce2b7-50 > .kt-row-column-wrap{grid-template-columns:repeat(3, minmax(0, 1fr));}}@media all and (max-width: 767px){#kt-layout-id_7ce2b7-50 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style>\n<div class=\"wp-block-kadence-rowlayout alignnone\"><div id=\"kt-layout-id_7ce2b7-50\" class=\"kt-row-layout-inner kt-layout-id_7ce2b7-50\"><div class=\"kt-row-column-wrap kt-has-3-columns kt-gutter-default kt-v-gutter-default kt-row-valign-top kt-row-layout-equal kt-tab-layout-inherit kt-m-colapse-left-to-right kt-mobile-layout-row\"><style>.kadence-column_08f380-fd > .kt-inside-inner-col{border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;}.kadence-column_08f380-fd > .kt-inside-inner-col,.kadence-column_08f380-fd > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_08f380-fd > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_08f380-fd > .kt-inside-inner-col{flex-direction:column;}.kadence-column_08f380-fd > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_08f380-fd > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_08f380-fd{position:relative;}@media all and (max-width: 1024px){.kadence-column_08f380-fd > .kt-inside-inner-col{flex-direction:column;}}@media all and (max-width: 767px){.kadence-column_08f380-fd > .kt-inside-inner-col{flex-direction:column;}}<\/style>\n<div class=\"wp-block-kadence-column inner-column-1 kadence-column_08f380-fd\"><div class=\"kt-inside-inner-col\">\n<p><br> <br>Alem Korkut&#8217;s   contemplation of sculpture stays within the spatial, tactile and material, all the way to the dematerialization of the sculpture. No matter what materials, genres and methods he uses, from the classical sculptural form (relief and three-dimensional sculpture), through video projections that he exhibits as independent works, to interactive objects with electronic components, Alem Korkut remains faithful to questioning the media of sculpture, transience and sculptural<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column_cdccae-4f > .kt-inside-inner-col{border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;}.kadence-column_cdccae-4f > .kt-inside-inner-col,.kadence-column_cdccae-4f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_cdccae-4f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_cdccae-4f > .kt-inside-inner-col{flex-direction:column;}.kadence-column_cdccae-4f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_cdccae-4f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_cdccae-4f{position:relative;}@media all and (max-width: 1024px){.kadence-column_cdccae-4f > .kt-inside-inner-col{flex-direction:column;}}@media all and (max-width: 767px){.kadence-column_cdccae-4f > .kt-inside-inner-col{flex-direction:column;}}<\/style>\n<div class=\"wp-block-kadence-column inner-column-2 kadence-column_cdccae-4f\"><div class=\"kt-inside-inner-col\">\n<p>processuality in the sense of the decay of matter itself or a deliberate change of state in a certain period of time. His artistic fascination is processuality in the work of art, whether it is the disintegration of sculptural matter and changes in its state that take place in a given period of time or leaving the material to &#8220;do&#8221; what is inherent or imitating processes in a kind of laboratory conditions.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column_ab697a-c0 > .kt-inside-inner-col{border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;}.kadence-column_ab697a-c0 > .kt-inside-inner-col,.kadence-column_ab697a-c0 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_ab697a-c0 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_ab697a-c0 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_ab697a-c0 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_ab697a-c0 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_ab697a-c0{position:relative;}@media all and (max-width: 1024px){.kadence-column_ab697a-c0 > .kt-inside-inner-col{flex-direction:column;}}@media all and (max-width: 767px){.kadence-column_ab697a-c0 > .kt-inside-inner-col{flex-direction:column;}}<\/style>\n<div class=\"wp-block-kadence-column inner-column-3 kadence-column_ab697a-c0\"><div class=\"kt-inside-inner-col\">\n<p>Often in his work, Alem &#8220;changes the destiny&#8221; of geometric shapes that lose their original properties, planes, right angles, strength and rigidity, and turns them into almost organic objects, thus giving them new meanings and associations. In this way, his themes not only communicate the process of work creation, but are a statement or commentary of completely different dimensions of life, from completely intimate to extremely universal.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Promi\u0161ljanje skulpture Alema Korkuta nalazi se unutar prostornog, taktilnog i materijalnog, pa sve do dematerijalizacije skulpture. Bez obzira koje materijale, \u017eanrove i metode koristio, od klasi\u010dne kiparske forme (reljefa i trodimenzionalne skulpture), preko video projekcija koje izla\u017ee kao samostalne radove, do interaktivnih objekata s elektroni\u010dkim komponentama, Alem Korkut ostaje vjeran propitivanju medija kiparstva, prolaznosti i skulpturalne procesualnosti u smislu raspadanja same materije ili namjerne izmjene stanja u odre\u0111enom vremenskom periodu.<br \/>\n\u010cesto u svom radu Alem \u201emijenja sudbinu\u201c geometrijskih oblika koja intervencijom gube svoja prvotna svojstva, ravnine, prave kuteve, \u010dvrsto\u0107u i krutost, te ih pretvara u gotovo organske objekte, daju\u0107i im tako nova zna\u010denja i asocijacije. Na taj na\u010din njegove teme, ne samo da komuniciraju proces nastanka rada, ve\u0107 su iskaz ili komentar potpuno razli\u010ditih dimenzija \u017eivota, od posve intimnih do krajnje univerzalnih.<\/p>\n","protected":false},"author":2,"featured_media":714,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-frontpage.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-984","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/comments?post=984"}],"version-history":[{"count":8,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/984\/revisions"}],"predecessor-version":[{"id":1308,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/984\/revisions\/1308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/media\/714"}],"wp:attachment":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/media?parent=984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}