<\/p>\n\n\n\n
2023 <\/strong>\u2013 Zadar, City Lodge, \u201c6fingers1ruke\u201d<\/p>\n\n\n\n Samobor, Bunker, \u201cSparrows on the Hill\u201d<\/p>\n\n\n\n Zagreb, Lauba, Unaligned 6<\/p>\n\n\n\n 2022<\/strong> \u2013 HAZU Glyptoteka, 14th triennial of Croatian sculpture<\/p>\n\n\n\n House of HDLU, 57. Zagreb salon<\/p>\n\n\n\n Zagreb, 36 mountains festival, \u201c30+40\u201d<\/p>\n\n\n\n Cannakale (Turkey), \u201cI Have A Story\u201d<\/p>\n\n\n\n Zagreb, front of the Croatian National Theater \u201cCorpus on a pile\u201d, Artupuncture<\/p>\n\n\n\n Zagreb, SC, French pavilion \u201cObjects of constructive deconstruction\u201d<\/p>\n\n\n\n 2021<\/strong> \u2013 Kri\u017eevci, City Gallery, \u201cTwo Suburbs\u201d<\/p>\n\n\n\n Krapina, Gallery of the city of Krapina, VII. Zagorje art salon<\/p>\n\n\n\n Biha\u0107, City Gallery, \u201cAteliers \u017ditnjak in BiH\u201d<\/p>\n\n\n\n Sarajevo, Art Gallery of BiH, \u201cAteliers \u017ditnjak in BiH\u201d<\/p>\n\n\n\n Rothenburg ob der Tauber, Galerie im Burggarten, \u201cSix fingers of one hand\u201d<\/p>\n\n\n\n 2020. <\/strong>\u2013 Kranj\u010dar Gallery, \u201cIntime\u201d<\/p>\n\n\n\n Osijek, GLU, Slavonia Biennale<\/p>\n\n\n\n Kranj\u010dar Gallery, \u201cEthereal Narratives\u201d<\/p>\n\n\n\n 2019. <\/strong>\u2013 Zagreb, SNV Refreshing Memory \/ When monuments come to life<\/p>\n\n\n\n Belgrade Center for Graphics and Visual Studies, 8th Belgrade meetings<\/p>\n\n\n\n Zagreb, Lauba, Dubrovnik, Sponza \u201cFascinations\u201d<\/p>\n\n\n\n Zagreb, MSU, Acquisitions<\/p>\n\n\n\n 2018. \u2013<\/strong>Belgrade, Center for printing and visual studies, 8. Belgrade encounter<\/p>\n\n\n\n Gdanjsk (PL), Gallery Mijejska, \u201eCenter of Periphery\u201c<\/p>\n\n\n\n Zagreb, Gliptoteka HAZU,\n13. triennal of Croatian sculpture<\/p>\n\n\n\n Zagreb, HDLU, \u201eDespite the Enviroment\u201c<\/p>\n\n\n\n 2017. <\/strong>\u2013Zlarin,\nKazerma, \u201eEdge of Sculpture\u201c<\/p>\n\n\n\n Zagreb, Gallery MSU, \u201eMuseum as Toolbox\u201c<\/p>\n\n\n\n Zagreb, MSU, \u201eT-HTaward@msu\u201c<\/p>\n\n\n\n 2016.<\/strong> \n-Zagreb, Klovi\u0107evi dvori, \u201cTrip to Eternity\u201d<\/p>\n\n\n\n Zagreb, Dom HDLU, \u201cSelf-portrait, portrait, figure, nude\u201c\u201d<\/p>\n\n\n\n 2013.<\/strong> Zagreb, MSU, “T-HT award @ msu\u201c<\/p>\n\n\n\n Essen, Zollverein, Croatia Keativ<\/p>\n\n\n\n Berlin, Collegium Hungaricum, Croatia Keativ<\/p>\n\n\n\n Split, Split Salon, Cellars (curated by J. Vukmir and B.\nPerica)<\/p>\n\n\n\n 2012.<\/strong> re: Referendum, Old Hall, Split<\/p>\n\n\n\n 11th Triennial of Croatian\nSculpture, Glyptotheque, Zagreb<\/p>\n\n\n\n V. Zagorje Art Salon, Krapina\nCity Gallery, Krapina<\/p>\n\n\n\n Here we are 3, IC engines (curated by M. Lucic), Old Printing House, Pula<\/p>\n\n\n\n 2011<\/strong>. T-HT\naward @ msu, Museum of Contemporary Art, Zagreb<\/p>\n\n\n\n Contemporary Croatian\nSculpture, Hungarian National Gallery, Budapest<\/p>\n\n\n\n From sculpture to confession,\nSelf-autobiography (curated by I.\u0160. Banov), Klovi\u0107 Palace, Zagreb<\/p>\n\n\n\n Sculpture in stone in Croatia\n1911.-2011 (curated by D. Vujcic), Glyptotheque, Zagreb<\/p>\n\n\n\n Clothing as a symbol of\nidentity (curated by I Ho\u0161i\u0107), City Gallery, Bihac, Bosnia and Herzegovina<\/p>\n\n\n\n Art and food, Atelier \u017ditnjak,\nZagreb<\/p>\n\n\n\n 2010.<\/strong> T-HT nagrada@msu.hr, Museum of\nContemporary Art, Zagreb<\/p>\n\n\n\n 45. Zagreb Salon, HDLU, Zagreb<\/p>\n\n\n\n Directors choice, Arken,\nDenmark<\/p>\n\n\n\n International Biennial of\nMiniature (curated by D.Peri\u0107) Gornji Milanovac, Serbia<\/p>\n\n\n\n Here we are 2, IC engines (curated by M. Lucic), Old Printing House, Pula<\/p>\n\n\n\n Contemporary Art in Central\nEurope: Lower Austria -Croatia – Slovenia, the National Museum of Lower\nAustria, Lilienfeld, Austria<\/p>\n\n\n\n 2009. <\/strong> Visiting (curated\nby G. Brali\u0107), gallery MMU \/ FAFA, Helsinki, Finland<\/p>\n\n\n\n The crisis (curated by M.\nLucic), MMC Luka, Pula<\/p>\n\n\n\n Art and Terrorism (curated by I Ho\u0161i\u0107), City Gallery, Bihac, Bosnia and Herzegovina <\/p>\n\n\n\n Contemporary Croatian Sculpture\n(curated by J. Pokle\u010dki-Stosic), K\u00fcnstlerhaus, Vienna, Austria; Berlin,\nGermany;<\/p>\n\n\n\n House of Arts, Bratislava,\nSlovakia <\/p>\n\n\n\n V. Zagorje Art Salon, Krapina\nCity Gallery,Krapina<\/p>\n\n\n\n Aspects of Collecting, Essl\nMuseum, Klosterneuburg, Vienna, Austria Split Salon ( curated by D. Pran\u010devi\u0107),\nMKC, Split<\/p>\n\n\n\n 2008. <\/strong> Croatia First\nMinute (curated by Jasna Jaksic and\nVesna Me\u0161tri\u0107), Verket<\/p>\n\n\n\n Avesta, Sweden<\/p>\n\n\n\n 4th Triennial of Croatian\nDrawing, Glyptotheque, Zagreb<\/p>\n\n\n\n Croatian contemporary art,\nBab-el-Kebir, Morocco,<\/p>\n\n\n\n Here we are, IC engines (curated\nby M. Lucic), Old Printing House, Pula<\/p>\n\n\n\n T-HT nagrada@msu.hr, HDLU,\nZagreb<\/p>\n\n\n\n 2007.<\/strong> 42.\nZagreb Salon, HDLU, Zagreb<\/p>\n\n\n\n Statue and object, Gallery\nSlovenskej sporitelne, Bratislava, Slovakia<\/p>\n\n\n\n Festival of New Film, recent\nCroatian video (curated by M. Lucic), Split <\/p>\n\n\n\n 5+ exhibition of award-winning\nstudents ALU (curated by L.Topi\u0107), Glyptotek, Zagreb<\/p>\n\n\n\n Croatian artists, Mainzer\nRathaus, Mainz, Germany<\/p>\n\n\n\n Trasforma (curated by Rueben and\nMaja Fowkes), Rotonda, Senigallia, Italy<\/p>\n\n\n\n 2006.<\/strong> 4o\nyears of gallery, Parade of hits (curated\nby L.Topi\u0107 and A. Koljanin) SC Gallery, Zagreb<\/p>\n\n\n\n Newer sacred art (curated by\nI.\u0160. Banov),Klovi\u0107 Palace, Zagreb <\/p>\n\n\n\n 9th Triennial of Croatian\nSculpture, Glyptotheque, Zagreb<\/p>\n\n\n\n 2005. <\/strong>Meet us at seven, Croatian young artists (curated by S.Pintari\u0107)\nKolonie Wedding, Berlin, Germany<\/p>\n\n\n\n 39. Zagreb Salon, HDLU, Zagreb<\/p>\n\n\n\n Materika, international exhibition\nof sculptures (curated by R. Vukovic) Castello di Gorizia, Gorizia, Italy<\/p>\n\n\n\n The first person (curated by RI\nJankovic), Art Gallery Dubrovnik, Dubrovnik<\/p>\n\n\n\n Insert , retrospective of\nCroatian video (curated by T. Milovac), Museum of Contemporary Art, Zagreb Fair<\/p>\n\n\n\n Two coast (curated by J.\nPokle\u010dki-Stosic), Gallery of Contemporary Art, Termoli, Italy<\/p>\n\n\n\n Postsculpture (curated by\nZvonko Matkovic), House of Croatian Association of Artists, Zagreb<\/p>\n\n\n\n 2004. <\/strong> 27th Youth Salon, HDLU, Zagreb<\/p>\n\n\n\n Object and image, Filip Trade\nCollection, Art Gallery,Dubrovnik<\/p>\n\n\n\n New Croatian Sculpture (curated\nby Zvonko Matkovic),Kazamat Gallery, Osijek<\/p>\n\n\n\n Multimeridijan 04 (curated by\nZvonko Matkovic), MMC Luka, Pula<\/p>\n\n\n\n 2003. <\/strong> 3rd Zagorje Art\nSalon, Krapina City Gallery, Krapina<\/p>\n\n\n\n 8th Triennial of Croatian\nSculpture, Glyptotheque,Zagreb<\/p>\n\n\n\n Quarantine (concept Slaven\nTolj) Lazarettos, Dubrovnik<\/p>\n\n\n\n 2002.<\/strong> Human \/ Nature (curated by Rueben and Maja\nFowkes), Trafo Gallery, Budapest, Hungary<\/p>\n\n\n\n Time and space, Gallery Mesto,\nSkopje, Macedonia<\/p>\n\n\n\n Triennale Croatian drawings,\nMGC-Klovi\u0107 Palace,Zagreb<\/p>\n\n\n\n 2oo1. <\/strong>Biennial of Young Artists from Europe and Mediterranean (curated\nby Nata\u0161a Ivan\u010devi\u0107) Sarajevo, Bosnia and Herzegovina<\/p>\n\n\n\n 36. Zagreb Salon, HDLU, Zagreb<\/p>\n\n\n\n 2ooo<\/strong>. 7th Triennial of Croatian Sculpture,\nGlyptotheque, Zagreb<\/p>\n\n\n\n 1999. <\/strong> Break 21,\nInternational Festival of Young Independent artists, Ljubljana, Slovenia<\/p>\n","protected":false},"excerpt":{"rendered":" 2023 \u2013 Zadar, City Lodge, \u201c6fingers1ruke\u201d Samobor, Bunker, \u201cSparrows on the Hill\u201d Zagreb, Lauba, Unaligned 6 2022 \u2013 HAZU Glyptoteka, 14th triennial of Croatian sculpture House of HDLU, 57. Zagreb salon Zagreb, 36 mountains festival, \u201c30+40\u201d Cannakale (Turkey), \u201cI Have A Story\u201d Zagreb, front of the Croatian National Theater \u201cCorpus on a pile\u201d, Artupuncture Zagreb, SC, French […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":989,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1002","page","type-page","status-publish","hentry","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/1002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/comments?post=1002"}],"version-history":[{"count":5,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/1002\/revisions"}],"predecessor-version":[{"id":1342,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/1002\/revisions\/1342"}],"up":[{"embeddable":true,"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/pages\/989"}],"wp:attachment":[{"href":"https:\/\/alemkorkut.com\/en\/wp-json\/wp\/v2\/media?parent=1002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}